Step back in time in Victorian living space
The restored entrance hallway to Sean Hickey's Kilkenny home.
WHEN Kilkenny man Sean Hickey met Hugh Wallace, their rapport was immediate.
It wasnât just that both shared a passion for place, people, and community, says Sean. The young teacher had âfelt a bit unnervedâ before their first encounter for filming The Great House Revival, not knowing what to expect, he tells : âIâm not a big television person, and I donât have a great grĂĄ for big stars â but I did always have a liking and admiration for Hugh. And when I met him in person, I felt a connection.
âI just found him very charismatic, humble and genuine in his approach to everything.

âHugh put me at ease, and I would even say we became friends. For me, he was a great influence. I admired him.
âHe would take every day in his stride, and he was inspiring â he showed how you can show your best self and always be in good form and have a word for everyone.â

The celebrity architect became a familiar sight in the marble city as he observed progress on Seanâs house. But he wasnât âjust an onlookerâ when he arrived in Kilkenny, says the homeowner: âHugh would call into all the shops, heâd buy meat from the local butchers â he became part of the story. He immersed himself in the project and in the story.

âHe understood the Irish community and what Irish people respect and want.â
Seanâs pupils might have something similar to say about their mĂșinteoir. After studying for the priesthood, town planning, and heritage, Sean now works as a primary school teacher and landscape gardener.

He strives to bring his passion for their home place to his young charges.
âI was an accidental teacher, I suppose â I went back after trying different things. I fell into it,â he says.
âI try to understand where the children are coming from. I try to give them the best experience of school that they could ever expect.
âMy main principle in the classroom and school is that once theyâre happy, theyâre going to learn. I allow them to express themselves and recognise that theyâre all different. Thatâs down to treating them as equals.â
Sean also takes pains to pass on his love for community and history to his pupils: âWeâre lucky in Kilkenny that we have a city thatâs vibrant and with an understanding of who created the sense of place and community.

âAt the end of the day, theyâre [the schoolchildren] going to the people in 10 or 20 years who will be creating that sense of community.â
Last year, Wallace embarked on a journey to chart eight more restorations across Ireland â the first of which is Seanâs Kilkenny home, whose restoration viewers can see tomorrow on RTĂ One.
The Kilkenny man worked two jobs to save for the Victorian terraced house. From Monday to Friday, he would be in the classroom, and at weekends and school holidays, he would be outside working in his other guise as a gardener.
Diligent saving made his dream come true in December 2023, which is when he received the keys to his forever home, No 37 John St, at the age of 37.
Seanâs house is just a few minutesâ walk from his parental home, where he had been living with his mum and dad, Maura and Canice.
âItâs like stepping back in time,â says an approving Hugh when the architect visits the property.
As for Sean, he confides he little imagined himself on the small screen.


âIt was unusual that I would sign up for something like that â between the build and television,â he says. âA friend of mine I work for told me I should email the programme. I said no way â I donât have a television and I havenât watched TV in about 20 years!â
But somehow he typed and pressed send.
âThey signed me up, and I said, âOh no! What have I got myself into?ââ he says.
âAnd I really enjoyed the process, and it added that little bit extra to the project. And everyone in Kilkenny rowed in behind me!â
Seanâs home was far from turnkey condition when he made his purchase. The two-up, two-down residence had retained all its features, from the architraves to the shutters downstairs.
Sean included an upcycled kitchen and knocked through part of the back room to create a larger bathroom, and also lowered a floor for a second bathroom. The only plumbing was in the bathroom and the kitchen sink.
âI had been going to do the work incrementally, room by room, but with the grand, you have a 13-month window, so that gave me a spurt to get stuck in and get it done,â he says.
He set about restoring and renovating the property on a budget of âŹ100,000, with half of that coming from grants. Fortunately for him, the history buff is keen on repurposing.
âI donât like to throw anything out,â he says. âI was able to furnish my house for âŹ2,000 using materials I salvaged, purchased at auction, or inherited from my grandparents. That meant I didnât have to install a new kitchen or a new bathroom.â
The shed behind his parentsâ house has, in effect, become a salvage yard. From a clock rescued from his old primary school to old, reclaimed bricks from home demos, Sean had a plan for everything in this Aladdinâs cave, including 700 slates from a neighbourhood property.
âThereâs a story behind everything youâll see in my house,â he says.
Why buy a new kitchen when you donât have to, is his logic: âIf you think outside the box, everything is possible.â
Seanâs kitchen table is an example: âItâs a pine farmhouse table which I got from the dump.â
Luckily, he discovered he was eligible for the vacant property grant after he purchased it, which meant he was working with a budget of âŹ100,000.
âI was pushing my budget to the max,â he says. âWithin that, I had to do a lot of work myself.â
Thrift, a can-do spirit and his passion for salvage ensured Sean was in a position to realise his vision as much as possible, including investing in authentic sash windows.
Against Hughâs initial advice, Sean decided not to insulate â instead installing cast-iron radiators.
âMy thinking was because the limestone walls were two feet thick, heat could never escape, and vice versa, and the house wasnât damp,â he says. âI didnât want to create problems where there werenât any. They sit so well in the house, they suit me fine, and Iâve been really happy with the decision.â
Kilkenny limestone tiles lead to a central hallway. Itâs all very economical with a âreal sense of funâ, according to Hugh.
Having bought No 37 for âŹ220,000, Sean has carried out the work to date, in under a year, for âŹ80,000. âI had to be shrewd,â he says. âWith the bricks, the slates â I probably reduced my costs by âŹ20,000 or âŹ30,000 and more.

Down the line, he plans to complete work on the roof and the extension, as well as the upstairs bathroom and rebuild the chimney: âI hope I will get the rest of it finished for âŹ20,000.â
This means the property will have cost him âŹ320,000 overall. As an impressed Hugh notes on the episode: âIf you look around at house prices in Kilkenny city, you wouldnât get a house for âŹ400,000.â
The architectâs verdict? âWhat heâs done here is extraordinary,â Wallace says. âThe respect he has for this home and its architectural heritage is exemplary, and now heâs moved into the community on John St in Kilkenny.

âFor me, that is so important that young people come back into our towns and cities and make them vibrant and liveable, and those communities grow again, and here they are, all these people are so excited to see Seanâs success. And most of them have been involved in one way or the other in the restoration of this home.â
As a landscape gardener, Sean himself had âsome experienceâ when it came to the labour side of the project.

âI had previously worked on small-scale patios and walls â but I always enjoy trying new things, even doing stonemasonry work,â he says. âBut there was a lot of labour and digging. I poured the floors myself. It meant it saved a huge amount of labour hoursâ cost.

âI also realise there are so many people without homes at the moment, and I do count myself very blessed to be able to afford it and to be able to put in the work.â
The Great House Revival airs tomorrow at 9.30pm, on RTĂ One and RTĂ Player




