Bolex Boys capture lost practices of rural Kerry life for the screen on 16mm film
(Left to right) filmmakers John Lynch and Michael Mulcahy. Picture: Noel Sweeney
It was 1978, and filmmaker John Lynch knew that he only had one shot at getting what he had come to Kissane’s farm to film.
A gaggle of wide-eyed children stood in the gateway, and a nodding patch of crimson primroses were an ominous harbinger of the blood that would soon flow onto the concrete farmyard.
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