Hard to sympathise with lead character in 'Pusher'
Luis Prieto’s self-consciously cool English-language remake of Nicolas Winding Refn’s coruscating 1996 thriller has style in abundance.
Transplanted from the streets of Copenhagen to present-day London, Pusher imagines the capital as a rat-run of neon-lit nightclubs, smoke-filled house parties and swanky apartments, where punters pay thousands in cash for their next hit.
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