'The Adventures Of Tintin' thrilling, yet lacking heart

'The Adventures Of Tintin: The Secret Of The Unicorn' is the opening salvo of a proposed trilogy, amalgamating the plots of 'The Crab With The Golden Claws', 'The Secret Of The Unicorn' and 'Red Rackham’s Treasure'.

'The Adventures Of Tintin: The Secret Of The Unicorn' is the opening salvo of a proposed trilogy, amalgamating the plots of 'The Crab With The Golden Claws', 'The Secret Of The Unicorn' and 'Red Rackham’s Treasure'.

Spielberg directs the first film and it’s a breathlessly entertaining romp, littered with eye-popping action set pieces that would simply be unthinkable - not to mention astronomically expensive – as live action.

A dizzying motorcycle chase through the winding alleys of a Moroccan marketplace is accomplished in a single take and Captain Haddock’s penchant for booze provides the hilarious spark for an explosive bi-plane flight.

A terrific animated opening reminiscent of 'Catch Me If You Can' introduces us to reporter Tintin (Jamie Bell), who buys a model ship and is plunged into a centuries-old mystery involving Ivan Ivanovitch Sakharine (Daniel Craig).

Ivan asks Tintin to name his price for the boat but the reporter refuses to sell, sensing the wooden vessel is far more valuable than it first appears.

Sure enough, a cryptic conundrum lies within, revealing that “only a true Haddock will discover the secret of The Unicorn”.

Blistering barnacles!

Assisted by trusty pooch Snowy, Tintin searches for more clues, meeting booze-sodden Captain Haddock (Andy Serkis), whose family history holds the key to the mystery of a cursed shipwreck.

'The Adventures Of Tintin: The Secret Of The Unicorn' is a hoot, and the script co-written by Peter Moffat, Edgar Wright and Joe Cornish delivers some big laughs such as when Captain Haddock reveals that one of his crew has no eyelids.

“Aye, it was a card game to remember!” growls the salty sea dog.

However, all of Spielberg’s directorial brio and the gorgeous visuals cannot distract from the lack of characterisation.

The film relies entirely on nostalgia, providing no back story about Tintin or any of his friends and foes, other than what is pertinent to the mystery of the unicorn.

Like most thrill rides, we’re giddy during the film, caught up in the action and derring-do but once the film ends, there’s that nagging feeling that something is amiss: heart and soul.

Perhaps Tintin will unearth both in the second film, pencilled for release in 2013 with Jackson at the helm.

Star Rating: 3/5

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