The beat goes on for disco heroines Sister Sledge
On a cold, New York night in 1978, Kim Sledge and her sisters stood huddled at the stage door outside a Diana Ross concert. They were hoping for a few words with the goddess of disco and perhaps even an autograph. Finally the door opened. But instead of Ross, it was one of her managers popping out for a cigarette.
âWe told him we were in a band but that we were thinking of quitting,â Kim recalls. âWeâd been doing it for a number of years by that point. It was a wonderful career. We really liked it. Now it was perhaps time to move onto other things.â
Rossâs manager thought they should persist. Success didnât always come overnight. Why not hold onto their dreams just a little longer? âHe changed our minds,â says Kim. âIâll never forget: he said to us, âdonât stop â give it one more yearâ. A few months later we had our first hit. We owe it all to Diana Rossâs manager.
That hit was âWe Are Familyâ, one of discoâs smartest anthems. It announced the arrival of Sister Sledge as disco proselytisers with a twist: four Philadelphia siblings whose facility for a groove was enhanced by a deep soulfulness. They were disco but never gaudy or throwaway.
With the chart flood-gates opened smash after smash would follow: âHeâs The Greatest Dancerâ, âFrankieâ and the epic âLost In Musicâ. In hindsight, theirsâs was a winning streak few groups from that era could emulate. âWe had sung together since we were all kids,â remembers Kim. âFame was never something we chased. Nobody ever said, âletâs make a group and become starsâ. That conversation never happened. We sang because our grandmother had taught us to. Then one day someone came and offered us an opportunity.â
Sister Sledgeâs music wasnât just incredibly catchy. It communicated a world view â arguing that people were better together than apart and that prejudice had no place on the dance floor or anywhere else for that matter.
âDisco is a genre that ultimately brought people of different creeds and colours together. Itâs about the freedom to express who you are without any excuses and to forget the stresses and strains of the day,â Joni Sledge commented 2015.
âThis music is uplifting and euphoric and weâre living in an ever chaotic age when release is essential in recapturing whatâs good in the world. A lot of old school music has a simple message. Itâs about the freedom to enjoy the simple things in life. Music, dancing, love and togetherness.â
As with many overnight success stories, their biggest hit was largely a matter of happenstance. âWe Are Familyâ, written especially for Sister Sledge by the Chic duo of Nile Rodgers and Bernard Edwards had started as a b-side.
âIt was supposed to be on the other side of âHeâs The Greatest Dancerâ,â Kim recalls. âWe love singing it â but we never thought it would be a huge song for us. We were absolutely stunned.â
The Sledge siblings were born into show business. Father Edwin was a broadway tap dancer, their mother, Florez, an actress. Their love for soul music was meanwhile passed on by maternal grandmother Viola Williams, a soprano opera singer and early civil rights activist. As âMrs Williams Grandchildrenâ they performed at church ceremonies across Philadelphia and were convinced to turn professional.
Initially, their success was outside the United States. A 1973 single went top 20 in the UK and they had a number one in Japan. Surreally, in 1974 they were invited to sing with James Brown in Kinshasa at the Zaire 74 concert intended to promote the Rumble in the Jungle fight, in the same city, between Muhammad Ali and George Foreman.
However, sustained stardom only arrived when their record label Atlantic put them in contact with Rodgers and Edwards ( later to sprinkle some of their stardust on Diana Ross herself with 1980âs âIâm Coming Outâ).
âThe head of the record company ⊠suggested we work with The Rolling Stones. that was terrifying to us,â Rodgers said in 2011.
âWe pretended to be overly confident and told him, âif we did a record with The Rolling Stones, people would think it was another Rolling Stones hit. Instead of giving us the biggest act on the label, why donât you give us the smallest act on the label? He said, âWe have this group called Sister Sledge.
âWhenever they come to the label everyone thinks theyâre wonderful. They stick together like birds of a feather, theyâre like family to us.â We went home and he had basically dictated the lyrics to We Are Family.â
But fame also brought melodrama. At the peak of their popularity, the sisters spent virtually every waking moment together.
Soon the lyrics to âWe are Familyâ acquired a bittersweet ring. Tensions came to a head in 1989 when Kathy Sledge released a solo album. Lawsuits followed and Kathy was expunged from the ranks.
âThey went out as a group on their own, and they had a photo shoot and didnât invite me,â she once recalled. âAnd that hurt⊠They tried to make it so that I wasnât allowed to say Iâm of Sister Sledge or from Sister Sledge. They thought it was a conflict.
âOne of the challenges that I had with my own sisters was it got to a place where they told me I couldnât be the lead singer anymore. It got to a place where I decided to collect some of the most amazing female artists that I knew to perform with.â
The bad blood continued to boil over as recently as 2015 when gossip website TMZ reported that Kathy was told she wasnât welcome to perform with her sisters when they sang for Pope Francis during his visit to Philadelphia.
The feud was eventually resolved, albeit in the most wrenching possible fashion. Last March sister Joni lost her fight against cancer. At the funeral the surviving siblings kissed and hugged and wept. When Kim and Debbie go on the road this summer, their late sibling will be watching over, they believe.

âItâs very bittersweet,â says Kim. âWe feel her presence with us. This tour is our tribute to her. We miss her very much. Obviously we have our moments. But the whole family is together and we share our memories of her.â
There is a lot to share. Unprompted Kim mentions a show at the White House, at which they were personally requested by Bill Clinton.
âIt was the end of his presidency so they had this final big bash. Bill had his saxophone and suddenly Hillary and Chelsea were up singing âWe Are Familyâ. Memories like that never leave you.â



