Swing time: Glass and colour chandeliers are trending
Maluma from Fritz Hansen (DK) in Moss.

Suited to singles, rows, clusters, and staggered multiples — the Amp designed for Normann Copenhagen by Simon Legald, was inspired by old radio tubes and the line of Japanese paper lanterns. It retains that gentled industrial feel that’s become a staple of the contemporary interior. Choose from a closed inverted jar or a longer, more aubergine shape. With the addition of a disk of marble, it’s highly sophisticated set low and examined closely by dinner guests (green/golden or smoked/black glass). Pair with a spiral LED bulb of 2,000K or 2,500K (dimmable) depending on the size of your Amp; from €113.

The Danish firm Verpan was started by legendary designer Verner Panton (it’s a contraction of his name), known for his stacked metal dish varieties of pendants. The VP Globe is an architect favourite from this company. Spoiler alert, the bigger globe is formed of acrylic, making it light to handle and hang, but if someone reaches for its Sputnick body, I would rudely smack those fingers away.

We’re drawn to the Melvillous from Pooky with its rounded form, and slender staggered panels of mercurised glass on a three-ring frame — the sort of thing celebrated in the hall half a century ago; €581, pooky.com. For a larger piece, the Amaryllis from Sweetpea & Willow shimmers with an amber glow, €1,883, sweetpeaandwillow.com.

Tip: With chandeliers, clusters, and horizontal bar lighting, take up no more than 50% of the length of a long table or bay area below it. Beware of reflected and refracted glare with bright fittings and cut glass.

The Smykke Glass Pendant Light by EBB & Flow (Denmark) is informed by the swing and sway of groovy pendant earrings in mid-century plastics and Lucite.





