From South Korea comes this superior zombie-vampire tale that is so well made it elevates a tired genre beyond the usual boundaries with its rich mixture of interlocking threads of sex, blood and morality.

Overlook the fact that it doesn’t really have a plot, you couldn’t not like this daft Korean film for its sheer energy and fun.

A tale of terror from the deep – a chemical-ruined river – from the masters of such white-knuckle films: the Japanese and Koreans.