Jade Jordan: 'I was trying to wash my colour off me; trying to wash myself white'

Jade Jordan's new book tells the story of one family of colour in Ireland today - and the bitter truths will end any misconceptions that racism does not exist on our shores
Jade Jordan: 'I was trying to wash my colour off me; trying to wash myself white'

Jade Jordan. Photograph Moya Nolan

My book, Nanny, Ma & Me started its journey in 2020. The world had come to a halt and I sat in lockdown like everybody else and wondered what exactly I would do with my time. In the months prior to lockdown I had begun documenting my family history, asking my nanny and ma questions, probing their pasts. I’m a Black Irish woman, the daughter of another Black Irish woman who struggled for a long time because of her skin colour. 

I’m the granddaughter of another woman exposed to the icy winds of society because she loved and married a Black man and had three Black children. The killing of George Floyd and the protests over his murder take place as I’m learning about and documenting my family history. I feel sick, horrified and furious.

The violent end to George Floyd’s life sparks a conversation about racism around the world, and still that reaction persists here, in Ireland: that racism is not something that affects people in the country where I live. We’re grand — nothing to see here. I feel raw, like an exposed nerve. I can’t believe the number of people who don’t believe discrimination happens here. And in the days and weeks that follow, I sit and think about it. Well, maybe that’s because they aren’t Black or brown and have never experienced racism. And that gets me thinking. If people haven’t seen discrimination or understood what they’re seeing, how would they know that it’s a problem? How can we address or even discuss the problem?

At this juncture, I need to state that I’m the only one in my immediate family who feels the need to talk about this or talk about our history. I’m the awkward person in the room confronting things, poking around, asking questions. It has been a struggle at times to get my nanny and ma to open up, but when they do, their recollections blow my mind. My family story shines a spotlight on a darker side of Irish society. 

Kathleen, Dominique and Jade. 
Kathleen, Dominique and Jade. 

It contains some bitter truths that should end any misconceptions that racism does not exist in Ireland. So I decide to put pen to paper in the hope by relating what I learned from my family narrative will give some insight into the experiences, the struggles and the everyday life of one family of colour in Ireland today. Like many young women of her generation, my nanny Kathleen left Ireland for London in the late 1950’s to train as a nurse. 

Whilst there she fell in love and married a Jamaican man, named Larry who was part of the Windrush generation. Nanny marrying a Black man was a big deal back in the day and she didn’t tell her own family at home for some time for fear of their reaction. At the time of my nanny’s wedding in 1963, it was still illegal in America for a white person to marry a Black person and continued to be for four more years. My nanny Kathleen and Larry went on to have two sons along with my ma Dominique and they settled in London’s diverse Walthamstow.

Jade Jordan with Nanny Kathleen 
Jade Jordan with Nanny Kathleen 

The city was a multicultural city with people from all walks of life, class and race. In 1978, my nanny Kathleen decided make the move back to Dublin alone with her children. As soon as they arrived in Dublin, they knew that their lives would be very different to the one they had known in London. The colour of my nanny’s children’s skin set them apart. In my ma’s words... “we fit in there and when we came to Ireland, we were different, we stood out, my skin was far darker and my hair was far curlier than everyone else’s.” 

People didn’t understand a white woman with three Brown children — and my nanny was regularly asked if her children had been adopted. Ma explains the arrival as ‘hell’ it was new, nobody looked like her or her siblings, it wasn’t home, their looks, the comments, and the questions. The children having to explain why they look the way they do, telling people over and over again that they weren’t adopted and in some cases lying that they had been adopted because it made life easier.

My nanny Kathleen had to build a life for her and her children in Dublin without the support of her family. My ma recalls that whenever they went to visit nanny Kathleen’s mother, her grandmother, they would never be invited into the house, but would have to sit outside and wait. Nanny, my ma and her brothers eventually settled in one of the old tenement houses in Seán McDermott Street.

Although the conditions of the tenement were terrible at the time, the community spirit was incredible. Neighbours became family and everyone looked out for one another.

In later years, when the tenements were being demolished, the family were relocated to Blanchardstown. When they made the move to Blanchardstown in 1980, it was in the middle of the school term. My nanny Kathleen went to the local Blanchardstown school to try and enrol my ma but was told there were no places left. However, when my nanny spoke to one of her new neighbours she learned that they had just enrolled their daughter who was the same age as my ma in the local school without any issues. My nanny Kathleen marched right back up to the school for another meeting and called them out on their discrimination. Needless to say, my ma got her place in school but they gave it grudgingly and she was made feel very unwanted. Over the next few years, my ma was picked on by the nuns who consistently found ways to humiliate her in front of the class.

It was mostly the adults who treated my ma as being different, but she had a wonderful group of friends that rallied around her when things were tough. My ma’s brothers however, had a different experience with their peers and were often picked on. There was a particular song in the charts at the time called ‘Brown Girl in the Ring’, and the boys would surround my ma and her brother and sing it at them. Shortly after starting school in Dublin, my uncle recalls one of the boys announcing to the class, “Look, I’m sitting beside a bar of chocolate.”

Both of my ma’s brothers ended up leaving school when they were aged 12 and in their first year of secondary school. They could handle the bullying from some students, but they couldn’t cope with the brutal treatment they received from teaching staff and school authorities.

Jade Jordan: "I had no role models, there wasn’t anyone who looked like me in magazines or on TV in Ireland then."
Jade Jordan: "I had no role models, there wasn’t anyone who looked like me in magazines or on TV in Ireland then."

My own recollection of my own experience with racism took place when I was 10 years old. We were staying in McDonough’s Caravan park in Bettystown in County Meath. I had a little spat with a boy in the park and when I tapped him on the arm he shouted, “don’t touch me, yeh dirty Paki!.” They were his words. I tried to pretend that I didn’t care, but the row shook me. I remembered Eoin pointing at his white arm, and I looked at mine, and I thought, my arm does look dirty compared to his. I remember going into the mobile home and getting into the tiny shower. I felt upset. Once I was out of sight of everyone, I started sobbing.

I can remember standing in the shower, scrubbing and scrubbing and lifting my arm to re-examine it and then scrubbing it again until my skin was burning red.

It was the first time that I’d ever really noticed the colour of my skin. Is this dirt, I wondered, or is it the colour of my skin? Or is the colour of my skin dirty? I’d never been self-conscious about how I looked before. He said I looked dirty, but I didn’t want to look dirty. Do I look dirty?

I kept scrubbing myself, thinking my skin would get lighter and I might start to look cleaner. I was trying to wash my colour off me; trying to wash myself white. I remember coming out of the shower and sobbing to my nanny. “I just want to be like everybody else!” I didn’t want anyone looking at me and seeing me as any different from all the other kids.

Growing up, I often found it hard to understand my place in the world, because I had no role models, there wasn’t anyone who looked like me in magazines or on TV in Ireland then.

At the time my dream of becoming an actress seemed very far away as I thought I’d never get an acting job in Ireland. I left for London in 2009 knowing there would be a better chance of me working in the performing arts in a massive multicultural city. Even in London, there were times where I struggled with my sense of identity.

At the end of our second year in drama school, we had to fill out our CV’s to send to agents. One of the forms contained a simple ethnicity box-ticking exercise to identify ourselves for potential employers. There were lots of boxes and options. ‘White English’, ‘white Welsh’, ‘white Scottish’ or ‘white Irish’? ‘Black’, ‘mixed-race’, ‘mixed Caribbean’, ‘mixed African’ or ‘mixed Asian’? ‘Indian’, ‘Pakistani’, ‘Bangladeshi’, ‘Chinese’ or ‘Arab’? There was a huge selection of identities to choose from. 

I ticked my usual box. Our dance teacher went through our forms, and then she called me over. She was a bit hesitant and clearly confused. ‘Jade, why have you ticked ‘white Irish’?’ she asked. Up until then, I’d always struggled with these ethnicity boxes in Ireland because the only way to identify as Irish was to tick the ‘white Irish’ box. Obviously, I knew I wasn’t white, but there was never a box to accommodate ‘mixed-race’ or ‘Black Irish’. It was like we didn’t exist. It always made absolute sense to me to tick the ‘white Irish’ box.

‘You can’t describe yourself as ‘white Irish’ when your headshot shows that you’re dark-skinned with curly hair,’ she said. ‘No one looking for a white Irish actor will hire you.’ Of course, I understood what she was saying. But it was the box I ticked all my life. I never wanted to lose my Irish identity. I wonder why I never thought of asking, ‘why isn’t there a black Irish box?’ I never did. I had to process what she said for a minute or two. ‘So what box do I tick?’ I asked.

 Jade Jordan: "there was never a box to accommodate ‘mixed-race’ or ‘Black Irish’. It was like we didn’t exist." Photograph Moya Nolan
Jade Jordan: "there was never a box to accommodate ‘mixed-race’ or ‘Black Irish’. It was like we didn’t exist." Photograph Moya Nolan

‘You’re mixed-race, so tick the ‘mixed-race’ box. It will open up a whole new range of roles you could be cast in.’ I look back now, and it makes me laugh. That poor teacher must have thought I was bloody blind to describe myself as ‘white Irish’. That was the first time my identity became ‘mixed- race’.

There have been big changes in Ireland over the last few years, many positive ones where people of colour are concerned. Modern Ireland is a great place to live, but racist abuse still happens. Colour is, as they say, only skin deep, yet so many people still face shame, victimisation, marginalisation and other obstacles because their skin contains more melanin than others. How mad is that? My nanny went through this in Ireland more than 50 years ago. 

My ma went through this after her. And a middle-aged man felt he had the right to racially abuse me just recently on a Dublin street. These kinds of experiences are soul-crushing. I don’t want anyone’s children to encounter the mindless harassment of earlier generations. We can all play our part by educating ourselves and others as best we can and to do our part by calling out casual racism when we hear it.

I am proud to be Irish and proud of my Jamaican heritage too. When I look in the mirror, I see a brown person; half Black, half white.

To me, this means something special and beautiful. I am mixed- race, and I represent what happens when a man and a woman see beyond stereotypes, reach across the racial divide and fall madly in love.

  • Nanny, Ma & Me: An Irish story of family, race and home by Jade, Dominique and Kathleen Jordan is published in trade paperback by Hachette Ireland, £14.99

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