Theatre - The Gigli Concert

Gate Theatre, Dublin

Theatre - The Gigli Concert

It’s rare you see a classic play rendered as perfectly as this. Tom Murphy’s masterpiece about the soul and its greatest conduit — the human voice raised high in song — has to be delivered at the right pitch if it’s to reach the soaring crescendo to which it builds.

Fortunately, in the hands of a majestic cast and an appropriately ‘dynamic’ director, David Grindley, this production is a genuine delight.

The narrative centres on the relationship between a gruff Irish developer (Denis Conway) and his quack therapist, the self-styled ‘dynamatologist’, JPW King (Declan Conlon). It’s a play full of potential but what Murphy does with it is typically daring and immensely moving. Suffering from depression, the developer enlists King not to cure him, but with a more daunting request still: to help him sing like the Italian tenor Gigli.

King — a washed-up, hard-boozing, misfit intellectual whose credo is that ‘anything is possible’ — takes up the challenge. What unfolds from there is a pure theatrical joy. The therapist, it transpires, is as unhinged as his patient. Where the latter is suffering from a transient mania, the sensitive dynamatologist is manic by default, a man who has “strayed too far from the world”.

Their volatile sessions are thunderously funny, but their sadness is searing, as is the poignant delirium of a young bed-hopping woman (Dawn Bradfield) with whom King is involved.

By the end, the voice of Gigli — at once the symptom and the cure — will provide for them, and for us, some bruised, bittersweet salvation.

Fuelled by sheer spirit and energy, the raw material of theatre, and with Conlon and Conway in imperious form, this is nothing short of a tonic.

Until June 27

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