An offer we can’t refuse
WHEN The Godfather opened in 1972, 40 years ago, it made cinema audiences around the world an offer they couldn’t refuse as a crime film quite unlike anything that came before it.
Up to then, movie gangsters tended to be one dimensional creations — snarling villains like James Cagney or Humphrey Bogart taking on the cops with a blasting machine gun in classics like White Heat or The Public Enemy. In these stories, the line between good and bad was easily identifiable.