Coming Out Of The Curve documentary, another sort of pitch battle

Parts of Donal Óg Cusack’s RTÉ’s documentary make for uncomfortable viewing, writes Michael Moynihan.

The usual opining gambit when you preview a documentary is to isolate a particular sequence and assign it more importance than anyone else, opening its significance stems from the very fact it’s an apparently throwaway line, a nondescript scene.

That may say more about your own exquisite sensitivity than it does about the work you’re describing, of course.