Live music review: Paul Brady

Great musicians often have a great back catalogue, a profusion of songs. And this is the case with Paul Brady. As he told the Vicar Street audience, the Sunday performance would include songs not sung in years. We were in for a treat.
He opened with âI Believe in Magicâ, from the 2000 album Oh What A World, setting the tone for the night with its eclectic mix of acoustic, traditional and rock n roll blended styles.
The Tyrone native went deep into the vault, digging out the the 1980s âSoul Childâ, recorded in LA, and more recent hits from the 2010 album Hooba Dooba, made in Dublin.
This was an intimate evening of reflection and humour. The nightâs music was made sweeter by the choral voice of accompanist Suzanne Savage with her violin and the super guitar licks of Bill Shanley. Alongside newer numbers such as âHarvestâ from his latest album Unfinished Business, listeners were rewarded with the cheeky âI Like How You Thinkâ and the famed âNobody Knowsâ.
You would not think Brady is 70, especially with a non-stop two-hour performance. Age has only added dept to his voice. This was especially so with the mystical but political âThe Islandâ, which threw up a huge cheer. A poignant song with Brexit looming over this island, a reminder of the dangers of sectarianism, of marching down that road to freedom.
And lest we forget his time with Planxty, Brady took out a tin whistle for the glorious âOceans of Timeâ, dedicating this to his son in New Zealand. Brady left us with breathtaking deliveries of the âWorld is What You Make Itâ and finally the all-popular âHills of Donegalâ.
This was a poetic evening, punctured with laughter, those Brady-esque alternate acoustic sounds, his neck-tingling classics that silence a room and a lively trip through his extensive back
catalogue.