Hazel Gaynor: (Re)writing history - the timeless appeal of historical fiction
Hazel Gaynor: The imagined narrative in a historical novel comes from months, sometimes years, of detailed research. Picture: Moya Nolan
It is a truth universally acknowledged that an author at a party will be asked two things: where do you get your ideas, and, what do you write?
The first question is tricky to answer quickly, especially while eating a mini-burger. The second question leads to, let’s call them ‘assumptions’, particularly if you write historical fiction.
