Marian Keyes on rehab, menopause and the joy of revisiting one of her sexiest characters

Marian Keyes also delights in the success of Sally Rooney and how she has paved the way for a new generation of female writers
Marian Keyes on rehab, menopause and the joy of revisiting one of her sexiest characters

Marian Keyes. is about to publish a new book, Again Rachel.  Picture: PA Photo/Dean Chalkley

Marian Keyes is in bed. It’s two o’clock in the afternoon, but she has just got back from a funeral and was feeling chilly. “It was a beautiful send-off,” she says as reassurance that she’s OK to talk. She is wearing a lilac hoodie and flashes a pastel pink manicure as she rearranges the pillows to get comfy. Within a few minutes it feels as if we are both having tea and biscuits under the duvet at her Dún Laoghaire home, as she gives me a virtual tour of her bedroom.

So far, so Marian Keyes. Loved by readers for her chatty style and satisfying storylines, she was for many years dubbed the queen of chick-lit, a phrase now as passé as Daniel Cleaver’s chat-up lines in  Bridget Jones’s Diary. In fact, her novels have tackled hefty issues such as addiction ( Rachel’s Holiday), bereavement ( Anybody Out There), domestic violence ( This Charming Man) and depression ( The Mystery of Mercy Close), always with her trademark lightness of touch. Yet despite selling more than 35m copies over the years, she is too often dismissed as a popular writer of books with pink covers (both of which are fine by her, thanks for asking).

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