Philadelphia, Here I Come review: Friel's masterpiece still has resonance today 

Alex Murphy provides excellent comic timing in the entertaining production at Cork Opera House
Philadelphia, Here I Come review: Friel's masterpiece still has resonance today 

Alex Murphy (Gar Private) and Shane O'Regan (Gar Public), in Philadelphia Here I Come! at Cork Opera House. Picture: Michael Mac Sweeney/Provision

★★★★☆

Hailed as a masterpiece when it was first staged in 1964, Brian Friel’s Philadelphia, Here I Come! is a classic of Irish theatre and a well-judged choice for Cork Opera House’s post-lockdown reawakening, providing a welcome reminder of the playwright’s genius for divining the magic in ordinary life and language. 

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