Classic 120 Days of Sodom redubbed for Irish context

Dylan Tighe’s overdubbing of a classic tale of depravity to give it an Irish context is one of the most interesting offerings at Dublin Theatre Festival, writes Alan O’Riordan.

PIER Paolo Pasolini’s last film, Salò, or the 120 Days of Sodom, remains one of the most controversial of all time: unparalleled, until very recently, in its depiction of depravity and dehumanisation.