All change for Allan Havey as he takes to the comedy stage

From stand-up comedy to the set of Mad Men and back again, Allan Havey has shared stages with the biggest names in showbusiness, says
How times have changed. The American comedian and actor Allan Havey, whoâs familiar to television audiences for his memorable run in the TV series Mad Men, did a stand-up routine while guesting on the Late Show with David Letterman a few years ago about the way kids nowadays are mollycoddled compared to his day growing up in Miami in the 1960s.
âMy sisterâs worried about her kids self-esteem,â he says.
âTheyâre kids â three and four years old. She goes into their room late at night, turns the lights down low, and reads them self-esteem books:
The Bunny That Wouldnât Quit; The Bear That Could Do It. My dad would come into my room with a cigarette hanging out of his mouth, holding a highball and scare the hell out of us.
âHeâd read us Hansel and Gretel. Do you remember those freaks? Hansel and Gretel lived at home with their dad and their stepmom. The stepmom said, âHey, we donât have enough food. Take these kids out in the woods. Lose âem.â The kids drop breadcrumbs; find their way home. The stepmom says: âNo. Deeper. Further. Lose the kids.â
âThe kids are lost. Theyâre crying. Theyâre hungry. They come across a house made of candy. Yum, yum. Lick, lick. No, no. Witch lives inside. Grabs the kids, sticks them in a cage. Sheâs gonna eat âem. This is two minutes into the story. The kids get out of the cage.
Shove the old witch into an oven. Burn her to death, and run home,â he says, concluding by triumphantly blowing smoke from an imaginary cigarette, guzzling from his scotch-and-soda drink, and adding: âSleep tight!â
Havey has been a staple of New York scene since landing in the city out of theatre school 40 years ago, just as the dawn was setting on the days of disco.
âDuring the early 1980s there was a comedy boom, those first years of Saturday Night Live. It was just starting to take off. Club managers were closing down discos and opening up comedy clubs. Many a time, youâd be on stage and youâd look up and youâd see a disco ball.â
Over the next couple of decades Havey shared a back stage with the great comedians of the age, including Jerry Seinfeld and Larry David, and for three years from 1989 to 1992 he hosted a cult classic, three-hour late night TV chat show on HBOâs The Comedy Channel called Night After Night.
Louis CK â who had Havey on his award winning show Louie many years later playing himself â also emerged from that New York comedy circuit in the 1990s, but is in limbo at present following accusations of sexual misconduct.
âI remember Louis when he was a young comic coming up,â says Havey.
âHe was always very fond of his comedy, and a good guy. It was just a gas to be on the show with him. Heâs very smart. He knows what he wants, and he loves to work with comedians. Hopefully heâll be back very soon.â
Havey â who has a long film and television acting CV, including appearances on Steven Soderbergâs The Informant!; the Coen Brothersâ Hail, Caesar!; and Judd Apatowâs Love series on Netflix â was in his element pottering around the set of Mad Men, as he got to soak up the perfectionism of the showâs creator Matthew Weiner, who was famous for his attention to detail in re-creating the social life of middle class Americans in the 1960s.
âWhen I first walked on the set, I had a flashback, and of course from watching the show,â he says.
âThere was one time between shooting and I would wander and sit in different offices and just of look at the books on the shelves and the artefacts on the desks. There was nothing that didnât belong there or that I couldnât remember as a kid growing up.
âAt one point I went to a desk and I pulled out a stack of paper. I pulled out a piece in the middle, and it was a typewritten memo. It wasnât just there as a prop. I didnât find anything on that set that was out of place or phoney.â
Weiner and his team of writers were ingenious, too, for their ability to capture forgotten social norms like, say, the way a neighbour had licence to hit a misbehaving child or the scene where Don and his first wife Betty finish up a family picnic in the park by shaking the debris off their rug onto the grass and heading back to their car.
âI remember the picnic scene, and, you know, thatâs what people did back then,â he says.
âSeveral times I was slapped by a friend of my fatherâs if I got out of line. He didnât think twice about it. The scene where little Sally had the plastic bag on her head â she was playing spaceman with her friends and she put a plastic bag over her head.
Her mother scolded her: âMy dress is on the floor!â She didnât care about the health of her child. She was worried she was going to wrinkle her dress.â
Havey played the role of Lou Avery; a deeply uncool middle manager that gets hired as creative director at Don Draperâs advertising agency midway through the series after Don is suspended.
Heâs the guy with the cardigans and the thwarted dreams of being a cartoonist, a humourless, hard-ass middle manager type.
The fact that heâs a good family man â unlike Don, of course â and from a different, by-the-book generation gets lost a bit as audiences rush to hate him.
âLou was not cool at all,â says Havey.
âHe was voted somewhere âthe most hated man on televisionâ. Itâs so nice when people are passionate so I know I was doing my job. If you think about it, though, Lou was just an old-fashioned professional. He didnât smoke.
He didnât get drunk. He didnât play around on his wife. He was just interested in the job, and probably one of the old-fashioned guys on the way out when he got that job.
âIf youâre watching the show and you like Don Draper even though heâs an anti-hero, and this guy comes along and just upsets everybody â I think thatâs where the hate came from.
"Especially from me â I watched the show and I didnât like him. Lou probably came up, went through the Depression, fought in the war, and now heâs around with all these spoiled, rotten kids with beards and long hair and theyâre protesting Vietnam, and heâs just not buying any of that.â