Michael Ball gives Mack and Mable a real happy ending

YOU hear Michael Ball before you see him, his big booming voice echoing down the hall. The leading man of British musical theatre is on a whistle-stop tour of Dublin, promoting his new production, a revival of doomed ’70s Broadway musical Mack and Mabel. It’s a passion project for the voluble 53- year -old, one he’s happy making a song and dance about.
“It debuted on Broadway in 1974 and just didn’t gel,” he says, relaxing in one of the bunker-like green rooms at Bord Gais Energy Theatre. “It was a troubled production. There were lots of internal battles. The producer wanted a happy ending — and, actually, there isn’t, but tastes and expectations have changed and we’re doing it again. I’ve always been obsessed with the music; it’s just wonderful.”