The thrill of gothic horror cliches expertly retold

Sullen locals look on suspiciously, not letting on what they know, frightened into keeping secrets. From here, the usual: shapes in upper-floor windows, bumps in the night, weather anomalies such as sudden, inexplicable winds and ‘pea-soup’ fogs, and the drip-feed of some terrible local history that won’t stay buried.
Wrestling with such clichés is part of the thrill. When it’s done well, it is a joy, as in Susan Hill’s bestselling 1983 novella, The Woman in Black, recently revived with blockbusting adaptations for the stage and big screen.