Movie reviews

Set in South Central, LA, End of Watch (16s) is a ‘ride-along’ with LAPD cops in one of America’s most notorious districts.

Movie reviews

Brian (Jake Gyllenhaal) and Mike (Michael Peña) are partners and friends who incur the wrath of a Mexican drug cartel when they bust a mule during a routine stop-and-search. Writer-director David Ayer is as interested in the minutiae of the pair’s daily life as he is in the tropes of the buddy-buddy cop movie. Brian’s hand-held camera — he films his days for a college course — allows for greater intimacy with the pair as they drive around the mean streets chewing the fat about their lives and relationships. So the audience emotionally bonds with them. These apparently mundane stretches give the action sequences a sharpened edge, as life-or-death situations suddenly explode. It’s a powerful blend, even if the drug cartel story is a threadbare link to the personal segments. Gyllenhaal and Peña have chemistry and create likeable, but plausibly tarnished characters who tread a very thin blue line.

Released from a mental institution, history teacher, Pat (Bradley Cooper), moves back to Philadelphia to live with his parents, Pat Snr (Robert De Niro) and Dolores (Jacki Weaver) in Silver Linings Playbook (15A). Determined to reconcile with his ex-wife, whose lover he beat to a pulp when he discovered them in flagrante, Pat employs his best friend’s sister-in-law, Tiffany (Jennifer Lawrence), as a go-between. Tiffany agrees, if Pat will become her dance partner for a contest. Seasoned romantic comedy viewers will anticipate the story. David O Russell’s movie takes the scenic route, offering interesting characters: the self-deluding Pat is eloquently played by Cooper, while his football-loving, obsessive-compulsive father, Pat Snr, finds De Niro turning in his best role in years. Jennifer Lawrence steals the show as the quirky Tiffany, a woman struggling with the expectations of how a young, beautiful widow should behave. Some of the minor characters are irritating — Chris Tucker as a former inmate friend of Pat’s — and there’s an inevitability to the story that undermines its interesting elements, but this is a solid, intriguing and blackly funny romantic comedy.

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