Movie Reviews

THE perpetually hungry panda Po (voiced by Jack Black) returns in Kung Fu Panda 2 (PG), now a martial arts master and celebrated defender of the downtrodden and oppressed, along with the other members of the Furious Five, which includes Tigress (Angelina Jolie), Monkey (Jackie Chan) and Mantis (Seth Rogen).

Movie Reviews

The team’s skills are stretched to breaking point when the evil peacock Shen (Gary Oldman) devises a world-shattering weapon, and sets out to rule all of China. Jennifer Yuh, making her feature-length debut, has the unenviable task of recreating the box office success of the original Kung Fu Panda, but does so with some aplomb, blending humour and vibrantly-drawn action sequences to create a tale that fairly hums along in terms of pace and character development. Significantly, Kung Fu Panda 2 offers an added dimension: Po’s backstory as an adopted panda is explored in flashback and incorporates the slaughter of his family by the ruthless Shen, a development that not only gives the story real emotional heft but allows the makers to explore a tangent in which the Furious Five discover that their strength in depth is derived from their fragility as much as their kung fu skills. It’s a movie with plenty to offer to young and old alike.

A DELICIOUSLY nasty piece of work, Mother’s Day (18s) is a home invasion thriller in which a group of friends, attending a party hosted by Beth (Jaime King) and Daniel (Frank Grillo), are terrorised by a vicious family of bank robbers, who are led, perversely enough, by their mother, Natalie Koffin (Rebecca De Mornay). In a twisting, morally challenging tale, the Koffin crew are in search of money they’ve been sending to their old home, which Beth and Daniel have recently bought. Written by Scott Millam and directed by Darren Lynn Bousman, the film blends fraught tension with explosive bouts of violence as the sadists put the group of friends through the hoops in a story reminiscent of Michael Haneke’s Funny Games (1997), challenging the group to betray one another emotionally and physically in a terrifying and frequently lethal game of Darwinian survival. The plot is overcooked at times, but a chilling performance from De Mornay, and the philosophical conundrums that force the audience to answer some very difficult questions about their own human instincts, dovetail neatly with the tautly-executed action sequences.

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