Divas Dion and Madonna biggest global concert draws
The pop singers also took the top two spots in North America, which accounts for an estimated 40% of the concert business, Pollstar said.
Madonna’s Sticky & Sweet world tour, which finished in Brazil last week, tallied $281.6m (€201m) from 17 countries. North American fans made up $105.3m (€75m) of this.
French-Canadian balladeer Dion, launching her first world tour in more than eight years, earned $236.6m from 24 countries, with North America contributing $94m.
This year marks the first time Pollstar has compiled foreign data. Among the biggest all-time North American tours, Madonna’s ranks at No 8 and Dion’s at No 12. The Rolling Stones hold the record with $162m from their 2005 tour.
Dion, 40, might well be the hardest-working woman in show business, having made Pollstar’s list of top 10 acts every year since 2003. That year she began a 700-plus show residency at Caesars Palace in Las Vegas, and grossed more than $385m by the time it wrapped last December.
Rounding out the top five of Pollstar’s worldwide list were Bon Jovi ($176.3m), Bruce Springsteen & the E Street Band ($165.8m), and last year’s North American champs, the Police ($120.6m).
Pollstar said fewer people went to concerts in North America this year, but despite the recession those who went were prepared to pay more for their tickets.
“We’ve had a better year than we really should have expected given the economic environment,” said Gary Bongiovanni, editor of Pollster.
Ticket sales for the top 100 acts in North America rose 4.3% to $2.38 billion. The number of tickets sold fell 3% to 35.59m, and the average ticket price rose 8% to a record $66.90.
Timing played a part. Acts that hit the road earlier in the year escaped the deepening economic abyss in the autumn. Top-tier artists are also fairly recession-proof. Bongiovanni said tickets have sold briskly for Britney Spears’ comeback tour, which begins next March, and predicted sales would be strong for as-yet-unannounced treks by U2 and Springsteen.
Ticket sales data do not include revenue from merchandise, which can make up a sizeable chunk of tour earnings.




