Cónal Creedon: Eurovision, the zeitgeist barometer

To dismiss the pop music extravaganza as trite would be an error of judgement — it is a snapshot of what it means to be European at any given moment in time
Cónal Creedon: Eurovision, the zeitgeist barometer

The Kalush Orchestra pose onstage with the winner's trophy and Ukraine's flags after winning last year's Eurovision Song contest. Picture: Marco Bertorello/AFP via Getty Images

Anyone with even a passing interest in Eurovision will have come across Will Ferrell’s The Story Of Fire Saga on Netflix. 

In a narrative fuelled by an obsession for the Icelandic nonsense-lyric, Ja Ja Ding Dong, the Eurovision Song Contest is exposed as a cliché-ridden parody of itself — a frivolous, evanescent, inconsequential popular music feast of glitz, glam and glitter. 

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