Affleck unmasked as next Caped Crusader

Ben Affleck will be the next Batman.

Affleck unmasked  as  next Caped Crusader

Well, the internet — which erupted on Thursday night after Warner Bros unmasked Affleck as the next Caped Crusader for its Superman and Batman team-up movie — does not like them apples one bit.

Jokes flew on Twitter. Petitions with thousands of signatures were launched to urge Warner Bros to rethink their decision.

Affleck, just months ago the toast of Hollywood for his best picture-winning Argo, hasn’t had so much scorn heaped on him since Gigli.

The response, roughly equivalent to news of the apocalypse, was undoubtedly out of proportion. After the leaden, joyless Man of Steel, adding Affleck — an actor of light, easy charisma and an increasingly capable filmmaker — can only improve a franchise currently in the hands of Sucker Punch director Zach Snyder and the unremarkable Superman actor Henry Cavill.

Affleck is likely to be far from the biggest issue for the film, which is scheduled to begin shooting next year and be released in summer 2015. He has already proven to be a more interesting Superman, too, by playing a bitter George Reeves in the atmospheric 2006 docudrama Hollywoodland.

There’s a long history of casting overreaction that’s later turned out laughable. There were plenty of critics when Daniel Craig, who had the audaciousness of being blond, inherited James Bond. Some, too, questioned Jennifer Lawrence’s suitability for Katniss Everdeen in The Hunger Games. And who would have guessed that Michael Keaton would make arguably the best of all the Batmen?

But Affleck’s casting speaks to a larger shift in this age of the superhero blockbuster. Affleck will be following in the footsteps of Christian Bale, the star of Christopher Nolan’s Dark Knight trilogy — the artistic apogee of the superhero movies, a series that treated its hero not as cartoon but a vessel for exploring themes of terrorism and justice.

The days of such aspirations, though, seem to be dwindling. In the past, superhero movies didn’t need stars: The brand was the main attraction.

But being a major star, Affleck comes with a lot of baggage that many expect will grate similar to how George Clooney did in Joel Schumacher’s 1997 Batman and Robin — a film so bad, it’s often been cited as a catalyst for more serious, dramatic interpretations of superheros.

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