Steve review: Cillian Murphy leads darkly funny drama about education and redemption

Cillian Murphy as Steve. Picture: Robert Viglasky/Neflix.
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Those who can, do; those who canât, teach. Or so the old saying goes.Â
(15A) begs to differ: teaching is doing for Steve (Cillian Murphy), the headteacher at Stanton Wood, an experimental school that represents either âeducational interventionâ or âa waiting room for Borstal,â depending on how you view giving young offenders a last chance to turn their lives around.
With resources pared to the bone, Steve, his assistant head Amanda (Tracey Ullman) and counsellor Jenny (Emily Watson) oversee chaotic outbursts of violence.Â
Matters worsen when a team of filmmakers arrives to document how students including Shy (Jay Lycurgo), Jamie (Luke Ayers), Benny (Araloyin Oshunremi) and Riley (Joshua J Parker) are faring in the pioneering programme.
Told over the course of an incredibly fraught day, Tim Mielantsâ film, adapted by Max Porter from his novel, shows Steve redefining multitasking: teacher, administrator, counsellor to students and staff, while also battling his own demons.
Mielants brings a manic, dishevelled quality to the storytelling that mirrors Steveâs frantic thought processes as he firefights through the day, a style enhanced by cinematographer Robrecht Heyvaertâs unusual angles that highlight Steveâs off-kilter approach.
Cillian Murphy, who seems to invest himself more deeply in every role, is in stellar form, playing Steve as an El Greco-like saint fizzing on ill-judged self-medication and self-flagellation.Â
Meanwhile, Tracey Ullman and Emily Watson provide strong support, as does Jay Lycurgo as the psychologically distraught Shy, who embodies, for Steve, everything Stanton Wood represents.
Unsentimental and bracingly realistic, but not without glimmers of hope, Steve is a gripping drama infused with mordant humour.Â