Endgame review: Beckett's classic is still as bleak and brilliant as ever
Aaron Monaghan and Rory Nolan in Druid's production of Endgame. Picture: Ros Kavanagh
★★★★☆
Samuel Beckett often spoke of Endgame as his masterpiece, high praise indeed from the author of Waiting for Godot and Happy Days. It is certainly a timeless piece of writing, and its world-weary humour seems altogether contemporary, though it was first produced in 1957.
