Tom Dunne: CBGB's, Tom Verlaine, and the big impact of small venues 

From the famed New York bar to the likes of the Arcadia in Cork and Dublin's Underground, so much talent seems to emerge from certain small venues
The famed CBGB's bar in New York in 2003.(Picture: Teresa Lee/Getty) 

The famed CBGB's bar in New York in 2003.(Picture: Teresa Lee/Getty) 

Imagine the scene: Patti Smith opens with ‘Because the Night’, The Ramones take over with a raucous ‘Rockaway Beach’, Blondie lets rip with ‘Hanging on the Telephone’, before Talking Heads hit ‘Psycho Killer’. As you conclude that “this night can’t get better”, Television start into ‘Marquee Moon’.

No such night ever happened, but it could have. All these bands, in varying stages of development, graced the stage of New York’s CBGBs from early 1974 on. They sometimes hung out together, sometimes dated, sometimes supported each other. As music scenes go, it was a spectacular.

You have reached your article limit. Already a subscriber? Sign in

185 years of the Irish Examiner

185th
Anniversary Offer

Six months of digital access for €18.50

No obligation. Ts&Cs apply.

More in this section

Scene & Heard

Newsletter

From music and film to books and visual art, explore the best of culture in Munster and beyond. Selected by our Arts Editor and delivered weekly.

Cookie Policy Privacy Policy Brand Safety FAQ Help Contact Us Terms and Conditions

© Examiner Echo Group Limited