'This music crept by me upon the waters': Colm Tóibín on Wexford Festival Opera 

The celebrated author attended his first opera in Wexford at the age of 16, and was happy to write of his appreciation for the festival for a new history book 
'This music crept by me upon the waters': Colm Tóibín on Wexford Festival Opera 

A history of Wexford Festival Opera.

Colm Tóibín's contribution to The History of Wexford Festival Opera, 1951–2021, by Karina Daly, published by Four Courts Press

Wexford has a strange beauty in the washed light of late October. The town still looks like a medieval port, with narrow streets leading from the quays to a single long main street, also narrow. Wexford got its name from the Vikings, but its tone was set by the Normans. Half the surnames of the people are Norman, and in the plainness of the architecture, and the lack of pretension in the citizens, there is a Norman austerity. The other elements include not only the Gaelic, but also the English and Huguenot.

Already a subscriber? Sign in

You have reached your article limit.

Subscribe to access all of the Irish Examiner.

Annual €130 €80

Best value

Monthly €12€6 / month

More in this section

Scene & Heard

Newsletter

Music, film art, culture, books and more from Munster and beyond.......curated weekly by the Irish Examiner Arts Editor.

Cookie Policy Privacy Policy Brand Safety FAQ Help Contact Us Terms and Conditions

© Examiner Echo Group Limited