Theatre review: Aladdin panto - Cork Opera House

Going to the panto in 2018, in the midst of a gender-centric, #metoo-conscious, politically correct audience has its advantages. With three sons, one takes every opportunity to find teachable moments in our time together. So even though the genie steals the show, the real magic is the powerful princess panto protagonist Jasmine. She’s strong, straight talking, swashbuckling. “This girl doesn’t need looking after,” she tells Aladdin.

Theatre review: Aladdin panto - Cork Opera House

[rating]4[/rating]

Going to the panto in 2018, in the midst of a gender-centric, #metoo-conscious, politically correct audience has its advantages. With three sons, one takes every opportunity to find teachable moments in our time together. So even though the genie steals the show, the real magic is the powerful princess panto protagonist Jasmine. She’s strong, straight talking, swashbuckling. “This girl doesn’t need looking after,” she tells Aladdin.

You have reached your article limit. Already a subscriber? Sign in

Clubber TV and Irish Examiner logos in offer banner

Every Match. Every Story.

One Ultimate Bundle

No obligation. Ts&Cs apply.

More in this section

Cookie Policy Privacy Policy Brand Safety FAQ Help Contact Us Terms and Conditions

© Examiner Echo Group Limited