So who is going to win big at the Oscars on Sunday?
It’s a tough year for predictions at the Academy Awards, but sticks her neck out on who’ll take the gongs on Sunday
THE frocks, the tux and the botox have all been ordered and Hollywood is ready for its close-up at the biggest party of the movie year.
Oscar night is on Sunday and for the third year running, the Irish are punching well above their weight, featuring among the nominees in several shortlists. But with the spoils spread throughout awards season so far, and no clear frontrunner in most of the major categories, it’s tricky to predict how Irish nominees will fare on the night.
BEST PICTURE
London/Irish director Martin McDonagh’s (we’re claiming him) Three Billboards Outside Ebbing, Missouri is up for seven Oscars including Best Picture and I have great regard for this problematic but powerful film. But despite Three Billboards’ BAFTA success, sea-creature adult fairy tale The Shape of Water Appears to have the edge, though I found it a little insubstantial. If McDonagh misses out on best picture you could well see him awarded for his original screenplay.
I wouldn’t rule out a surprise charge from a couple of others here, including the charming coming-of-age film, Lady Bird, and the race sci-fi horror Get Out. At 14/1, the timely Get Out sounds like a decent outside gamble.
The Shape of Water.
Three Billboards.
DIRECTOR
McDonagh’s omission is surprising here, and only once this century has a movie won best picture without a director nomination — that was Ben Affleck’s Argo.
Del Toro looks like a big favourite here, and certainly the handsome-looking The Shape of Water ticks a lot of boxes in terms of directorial achievement. In hope more than expectation, I’m rooting for Nolan, whose work on the excellent Dunkirk has been overlooked all awards season.
Del Toro.
Nolan.
ACTOR
In an unpredictable year, this of all the categories is a dead cert. I don’t see anyone pipping Oldman for his portrayal of Winston Churchill — it was a great performance in a nevertheless average film, and he’s been winning all season. If pushed, I’d say keep an eye out for Kaluuya —Get Out, and his work on it, was widely admired.
Oldman.
Oldman.
BEST ACTRESS
This is quite the scrap of a category, packed with great performances. I can’t see Frances McDormand, who has won just about every prize going for the bereaved and ferocious Mildred Hayes in Three Billboards, being beaten here. Ronan leads the chasing pack for her best work yet on Lady Bird, and we should celebrate her third nomination, quite a feat at the age of 23.
McDormand.
McDormand.
ANIMATED FEATURE
Cork’s Nora Twomey is only the second female solo director ever to be nominated in this category, but can she take on the might of Pixar? The big studio’s Mexican-set movie has been winning most of the big prizes in the run-up, but Twomey’s The Breadwinner is best placed to pull off a potential upset, according to some pundits.
Top industry website Deadline Hollywood is among those cautioning against Coco being a certainty, and Twomey has spent much of her recent time in LA discussing her film and building support. But Coco’s been more widely seen by voters.
Coco.
The Breadwinner.
COSTUME DESIGN
Ireland’s Consolata Boyle, a frequent collaborator with Stephen Frears, has earned her third Oscar nomination (all in Frears’ films) with Victoria & Abdul. But she faces tough competition in what is a very strong year in this category. The stunning 1950s couture designs which feature in The Phantom Thread places the film as frontrunner here, with Beauty and the Beast the most likely threat.
Phantom Thread.
Phantom Thread.

