Theatre review: Far Away, Spike Island (Cork Midsummer)
Fear, paranoia and brutality in a world at war are the themes of Corcadorca’s spine-chilling production of Caryl Churchill’s dystopian play. Written in 2000, it feels highly relevant today. When one of the characters nonchalantly talks of having killed two cats and a child under five, the skewed value system of the world created in this play is underlined. Human life is utterly disposable.
The audience is attuned to the terrors of the play when, after disembarking from the ferry and being led into the archway of the fortress, the massive door is slammed shut. Prison wardens in red jump suits don’t make any eye contact with us. We feel trapped.
