A question of taste: Sinéad O’Halloran

I keep on coming back to The Time Travellers Wife by Audrey Niffenegger.
The Theory of Everything.
An incredible chamber music concert in the Beethovenhaus in Bonn last month where my best friend and co-founder of Ortús, Mairéad Hickey, was performing with renowned violist Tabea Zimmerman and some of her colleagues from the Kronberg Academy. They performed works by Schönberg, Mendelssohn and Strauss and the music-making was just extraordinary. They also looked like they were having so much fun which made it even more enjoyable for the audience.
Schubert Quintet in C major for String Quintet (it has always been one of my all time favourites and I am so excited to perform it at our final concert this Sunday afternoon).
Beethoven String Quartet op. 132 performed by the Vanbrugh Quartet at the West Cork Chamber Music Festival — they moved me to tears.
I recently witnessed an outstanding performance of Brückner Symphony no. 7 by the Royal Concertgebouw Orchestra conducted by Bernard Haitink (now 87 years old). I had the pleasure of playing this work under him during the summer and it was wonderful to be able to experience it all again.
Gilmore Girls, Netflix documentaries (The Beginning of Life), Friends, New Girl, etc.
RTÉ Lyric fm, 1Live (Germany), podcasts on Mindfulness Meditations.
Jacqueline Du Pré, Lorenza Borrani and Mitsuko Uchida.
I would love to have the money to buy the instrument which I am playing right now! I have very kindly been loaned a beautiful 1775 Niklaus Gagliano cello which I absolutely adore. Sadly, I must return it at the end of my studies.
Robert Schumann is one of my favorite composers. It is believed that Schumann wrote five romances for cello and piano near the end of his life, which were unfortunately destroyed by his wife, Clara Schumann, for fear that they would prove his insanity (he entered a mental asylum in 1854). I wish I could go back and save these pieces, and any others which were lost over the years!
I have worked with some amazing conductors with the European Union Youth Orchestra, including Vladimir Ashkenazy, Bernard Haitink, Gianandrea Noseda.
I think all of the people who work ‘behind the scenes’, in every field of life. In music, at least, I feel like it is always the musicians in the limelight who receive all of the praise, however I realise now how much work goes on behind the scenes which are essential to making sure everything runs smoothly!
I would invest so much more money in education — specifically focusing on mental health and music. I would give every child an instrument and introduce Mindfulness and Alexander Technique into the school curriculum.