Book review: The Mistress Of Paris
Growing up on the streets whilst her mother entertained her clients, she learned her own trade early whilst working first as a poorly paid shop assistant and then as a bar girl in one of the racy new brasserie de femmes that catered to the male taste for pretty young women.
In 1878, a promising young writer named Emile Zola was researching the background to a novel which he wished to set in the Parisian demi-monde.
Delabigne invited him to one of her dinner parties and he repaid her kindness by immortalising her as the stupid and venal Nana.
If Catherine Hewitt’s well-researched and annotated biography has a fault, it is that, like Delabigne herself, she sometimes glosses over the reality of how the self-invented Comtesse Valtesse de la Bigne earned her living.
Nevertheless, she has written a handsome boudoir book.

