A question of taste: James Mullighan

One of the biggest Australian movies around at the moment is a portmanteau adaptation of Tim Winton’s short story collection The Turning, with each chapter made by an entirely different cast and crew. I felt I should revisit it before seeing the movie.
First, South Australian resident Rolf de Heer’s amazing Charlie’s Country, which opened the festival. Second, I was blown away by the power and strangeness of Myroslav Slaboshpytskiy’s The Tribe, a gripping drama with no dialogue or titling.