Theatre review: Title and Deed

Everyman, Cork

Homelessness, alienation, lost love, sorrow for the pain of mothers and an unceasing wonder at language are the main themes of this monologue performed by Conor Lovett of Gare St Lazare in association with Signature Theatre, New York. Written by Will Eno, it is reminiscent of Beckett with a single character articulating the existential despair common to humanity. Lovett is a brilliant interpreter of Beckett and this play, clearly influenced by the Irish writer, suits the actor’s languid delivery and his drollness.

Eno’s nameless character, who addresses his audience in an intimate and beguiling way, is at pains to retain his dignity even in the face of the loneliness he feels in a new place. His mission is “not to complain” but rather to note the differences between ‘home’ and the place he finds himself in.