Silent- Everyman, Cork

Pat Kinevane’s one-man show is a masterclass in storytelling. The actor/writer’s unappealing subjects are mental illness and homelessness. Yet, he highlights these social problems humanely and is never far from a humorous observation or hilarious mimicry.

While such levity might seem inappropriate, it works because it fleshes out the character of Tino McGoldrig, giving the audience an insight into his psyche and past life. Tino is a lot more than the hobo who lives rough on the streets of Dublin.

The audience first encounters Tino (a fan of Rudolph Valentino) rising from under a blanket, on a bare stage. He dances, before shedding the blanket, setting the tone for a performance that is physical, with balletic movements.

Tino’s troubles are rooted in his family. His gay brother, Pearse, called after “Pádraig, the freedom fighter,” was a troubled character. He is a constant reference point for Tino — Pearse attempted suicide many times, before finally succeeding and breaking his mother’s heart.

Tino’s heart is broken, too, as he reflects on his past life, which included “splendid” elements, such as a wife and child. But mental illness, medicated with “screw top Merlot,” dogs his life.

There are digs at the mental-health services, such as a TV advertising campaign that tells people how important good mental health is and to “look after yourself.” But Kinevane questions this, wondering how you can look after yourself if you’re unwell.

This play can be experienced in a number of ways. It’s a damning indictment of the mental-health services, and of a society that allows homelessness. It is also a deeply personal journey into the dark recesses of Tino’s mind. He is a hugely sympathetic character, who is full of acute observations about being an outsider.

This Fishamble theatre-company production could do with some editing: it is too long. But it’s a fine play, a tour de force for Kinevane.

Pat Kinevane’s play ‘Forgotten’ is at the Everyman from Nov 1-2 as part of a Fishamble residency