Watch: What does a lead oboist do if his reed breaks onstage?

The London Symphony Orchestra’s principal oboist showed some quick thinking after his reed broke mid-performance, in a video which has since gone viral.

Olivier Stankiewicz was playing the lead oboe in The Damnation Of Faust by Hector Berlioz, conducted at the Barbican by Sir Simon Rattle, when he was faced with the predicament.

The Press Association caught up with Stankiewicz following the mishap.

How often does this type of thing happen?

“(For it to happen) this dramatically, it is very unusual, it has never happened to me before.

“You often get minor problems with your instrument, such as condensation that forms in tone holes, or a reed that gradually wears out during a concert.

“But this time the reed broke top to bottom. There was no chance to get anything out of it, hence the switch.

“Things happen with instruments during concerts: a violin or harp string can break, a note on a piano can go out of tune, a whole bow hair can occasionally go off.

“Reeds, however, are the oboists’ nightmare.

“We make them ourselves, it’s a long, tedious and inconsistent process, they are fragile and wear quickly.”

Sir Simon Rattle – The Damnation of Faust

Bryan Hymel was performing the singing part of the piece (Doug Peters/PA)

“You often end up anxiously trying to ‘find’ the best reed we have on a concert day and praying for it to last the evening. Breaking one accidentally becomes then quite frustrating.”

What was going through your head?

“Nothing,” said Stankiewicz. “I just had to find a solution.

“Playing in an orchestra is very much about making quick decisions.”

What was the reaction like from your fellow musicians?

“Rosie Jenkins, who was playing oboe next to me, is a fantastic colleague. I am not surprised she reacted the way she did, just calmly sorted out my oboe and got a new reed out of the box.

“She showed my reed box open so I could point to one that was working. She couldn’t have done a better job.”

What’s the teamwork like in the London Symphony Orchestra?

“Working in an orchestra is teamwork by definition. You can’t be focused on just your playing, in fact your attention is much more directed towards what the rest of the orchestra is doing.

The performance at the Barbican

Sir Simon Rattle conducts the orchestra at the Barbican (Doug Peters/PA)

“It’s a bit like playing football. At the LSO we tour a great deal, sometimes for weeks at a time, and can spend more time with colleagues than with our family.

“Intertwined like this as we are, the sense of teamwork and co-operation is crucial for the orchestra to function and is really in its bones.”

More in this Section

Inspired by new movie Mountain? Here's 5 glorious peaks you should see (or even climb) in your lifetime

Here's how Sir David Attenborough made this six-year-old eco-warrior's day

Roy Moore spokesman left speechless after learning politicians don’t have to swear on Bible

Check out this new Star Wars themed ad for the Wild Atlantic Way


Today's Stories

Quarter of early years staff short on references

Man accused of stealing paninis opts for jury trial

€10m works to rectify dangerous bends on Kerry road

RSA honours man left paralysed after traffic collision 11 years ago for road safety work

Lifestyle

Timing is everything as The Frank and Walters revisit 'Grand Parade'

A question of taste: Eileen O'Shea

Eoghan O'Sullivan's picks his highlights of 2017

Learning Points: The ghost of Christmas past is always nostalgia

More From The Irish Examiner