Saturday, March 20, 2010 Previous editions
Oirish stereotypes abound gloriously in the Carney brothers’ wonderful comedy, and you couldn’t possibly be offended.
A sad, funny rom-com touching on the still difficult subject of gay love, and it’s based on real-life events.
With two such sterling stars as Williams and Travolta, even though their recent track record has been dismal, you’d think this looking-after-the-kiddies comedy would be at least watchable.
A fluffy rom-com that won’t get your gray cells in a tizzy, the sort of film Hollywood knocks out on a regular, entertainingly undemanding basis with a couple of terrifically good-looking stars as eye candy.
When you see Chan’s name above the title you expect a certain kind of film, but here he delivers something outside his comfort zone and brings it home with ease.
As with 'Shutter Island' and the re-teaming of DiCaprio and Scorsese, so that of Damon and Greengrass – actors and directors who can bring the best out of one another’s work.
The return of what has become a fine partnership brings us another outstanding performance from DiCaprio and something of a directing departure for Scorsese.
Nobody does dysfunction quite like the Swedish cinema and with this complex and atmospheric thriller, based on the first of Stieg Larsson’s trilogy, we get an island full of dysfunctional people and a 40-year-old mystery.
One of cinema’s most-filmed stories is updated by Burton in magnificent manner – as only he can – by sending the now 19-year-old Alice (Wasikowsky) back to Wonderland, there to meet up again with her odd-ball friends and battle the evil Red Queen (Bonham-Carter).
Farrell, turning away as he is from the lurid, hell-raising headlines of recent years, is producing some quite excellent performances, none better than in this charming fantasy (or might it be fact?) set in Ireland.
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